Guitars, I Love...
These are some guitars I either own now or have once owned.
Clark Beaufort Amp - Made by Michael Clark Fender '57 Deluxe Replica with reverb, 2 x 6V6 tubes with Weber Alnico speaker.
Yanuziello Electric - Made by Joe Yanuziello Spruce Top, Mahogany Back, handmade hardware and custom Lindy Fralin pickups.
1934 Gibson L-00 - Made by Gibson in 1934 L-00 Information Mahogany Back & Sides, Red SpruceTop, Brazilian Rosewood Bridge and Fingerboard. Sold - bye, bye.
Beneteau Tenor Uke - Made by Marc Beneteau Curly Koa Back & Sides and Top with cut-away - With Aquila strings
Beneteau OM - Made by Marc Beneteau Curly Makore Back & Sides, EnglemannTop with Bevel and Side Sound Port
LR Baggs Pickups - LRBaggs iMix for my Beneteau and LR Baggs M1 for the Gibson
Clark Beaufort Amp - 6V6 tubes with Weber Alnico speaker.
For larger venues I use a Turbo-Pup El-34 tube amp built by Mark Norwine,
The Turbo-Pup has a very dark, thick and clean tone, Mark is no longer building amps.
I use the AER Acoustic amp For acosutic fingerstyle and jazz gigs
For all acoustuc gigs I love to use my T-REX Room-Mate tube reverb pedal.
Pedals & Effects
LR Baggs Para Acoustic D.I.,
T-REX Room-Mate tube reverb
T.C. Jauernig Tremolo and Gristletone Overdrive,
Boss CE-2 Chourus, MXR Script Phase 90, Dunlop Crybaby Wah,
Ernie Ball Stereo Volume, 1982 Proco Rat (2), Line 6 DL4 Delay Modeler,
Boss TU-2, Tuner, Boss RC-20 Loop Station, Little Lehle Looper Switcher, E-Bow.
I also use a Pedal Train pedalboard to hold and transport my effects.
I love these strings for my Ukulele they are like gut strings but are made from some type of twisted nylon.
They sound and feel great and really stay in tune.
www.aquilacorde.com
Curly Makore Back & Sides, Adirondack Top with Bevel and Side Sound Port
This is my main guitar for fingerstyle, recording and live performance because of its versitility and evenly balanced tone. I use the LR. Baggs i-Mix system on this guitar and am switching all my guitars to the i-Mix.
This guitar has the sound to die for, deep, full warm and rich sustain with fat treble tones.
Think Pre-War Martin with a cut-away.
Carved Curly Maple Top, with 1 peice carved Mahogany Back, 24 3/4 inch scale.
I traded a 1962 ES-175 for this guitar back in '82. This guitar is far better, just not as collectable.
Kind of like a cross between an Ibanez Artist and a 1959 ES-335 - Hand Made by Brian himself.
Built by Erich Solomon
Carved Sitka Top with Carved Koa Back
This guitar was a bit of a depature from traditional archtops.
It sounds like a flatop but projects like an ArchTop. It is feather-light and extremely resonant. The Koa on this guitar is unbelievably figured in so much as I've never seen any other Koa guitar with such a dramatic visual appearance.
This one was one great guitar that I wish I could have kept.
16 Inch carved European Spruce Top with Carved European Maple and sides.
Yes that's me - decked out in full Jazz-Geek uniform. Note the required guitar players, 'saggy slouch'.
There were many guitars that have come and gone, Gibson's, Fender's a nice Manzer and other miscellaneous stringed devices. It seems I'm the oddball that always gravitated towards keeping the custom "unknown" creations. Below are a few of the guitars that I have or had the pleasure of owning:
- 1929 Gibson L1 • 1950 Gibson LG-2 • 1955 Gibson LG-2 • 1962Gibson ES-175D
- 1924 Martin 0-42
- Stromberg Voisnette Palor Guitar
- Stella/Harmony Koa Guitar
Mahogany/Adirondack
Wonderfully restored by Mike Spicer at the Peghead in Hamilton, ON
Brazilian/Adirondack
This was the fanciest guitar made at the time before 1930.
Hawallian Koa Top, Back & Sides
Mahogany Top,
Back & Sides
